|
CHRONICLEMoving On Up The film starts as young Andrew Detmer (Dane DeHaan) turns on his old, outdated camera, a point of view most of the film is told through. He’s pointing it at his bedroom door as his abusive father starts violently banging it down. Andrew shouts out that he is recording everything he does to him from now on, a threat that makes his father retreat. Making his way to school, he gets his usual ride in with his older cousin Matt (Alex Russell), camera in tow and sticking it in Matt’s face. Being the cooler, older cousin, Matt warns Andrew that carrying a camera around school will just alienate him even more from the other students but, used to being alone, Andrew shrugs it off. As we watch the school through Andrew’s lens and personal narration, other kids pick on him, throwing the camera around as the helpless Andrew chases it down. Wanting to help his younger cousin find his footing, Matt forces Andrew to come to a large party in a field and try to lose some of his lonely tendencies. Camera in hand, Andrew and Matt head off to the party, and meet up with Matt’s friend Steve. Finding a large hole in an empty field emitting a strange noise, the boys go down to check it out. A weird, large, crystal looking organic machine rests at the end of the tunnel, and as the camera breaks down the lads start freaking out with bloody noses. The camera is switched on again, sometime later, as the guys are throwing baseballs at each others heads. Since going down the tunnel they have started developing telekinetic (moving things with your mind) powers. Like a muscle, they realise they can get stronger by exercising their powers and before long they are moving more than mere baseballs. While they start out pranking people in parking lots, Andrew quickly evolves in to someone more sinister. One of the brilliant things about this film that sets it apart from other found footage films is that the camera work starts off shaky, held in the hands of the boys, but one of the first things Andrew starts to do is control the camera with his mind. Slowly and smoothly panning it around them as they discover more of what they can do. The path of discovery to figure out their powers is also well paced, taking up the majority of the movie, not a simple scene like in most superhero flicks. It may be predictable, not completely original and certainly won’t appeal to some people, but I think Chronicle has a good chance at becoming a cult classic. Something fans of the genre will refer to in years to come.
|
DEMOLITION MENSteal some green dye for your mohawk and put a safety pin in your eye, because seminal UK punk band Subhumans are heading over for their first ever Australian tour. Featuring the 1981 line-up that recorded their debut EP Demolition War, the band has been busy in recent years with releases through Fat Wreck Chords and their own label Bluurg. They drop into Amplifier for a show on Wednesday, September 12. Tickets go on sale through Oztix on June 15, so you might want to set a reminder... |
ANXIETY ATTACKNew Zealand’s first most popular musical pop act named after a Michelle Pfeiffer movie, Ladyhawke, is gearing up for a big 2012 with her second album almost ready to go. Known for her gems My Delirium, Paris Is Burning and Back Of The Van from her ARIA Award winning debut album of 2008, she returns with her new album Anxiety on May 25. She then takes the album out on tour and will play her first WA show since Southbound last year at The Bakery on Tuesday, July 24. Grab your tickets from Handsome Tours from tomorrow, or head to ladyhawkemusic.com for presale information. |
GARTH COOKCountdown To Perth Fashion Week
|
| Read more... |
